REVIEWS OF RENTED DVDs I GET IN THE MAIL

Posts Tagged ‘remake’

YOU’VE GOT MAIL (1998)

In Comedy, Motion Pictures, Romance, Uncategorized, Y on May 16, 2010 at 7:17 pm

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STUDIO — Warner Bros.

CAST — Tom Hanks, Meg Ryan, Jean Stapleton, Dave Chappelle, Parker Posey, Greg Kinnear, Steve Zahn, Dabney Coleman

DIRECTOR — Nora Ephron

MPAA Rating: PG

Dear Friend–

So far, it has been an intriguing month of viewing and reviewing movies, including three of them with the same premise. I’m not sure how to put this, but having that sense of déjà vu while watching a movie is so unsettling, yet so entertaining at the same time. So, how should I approach this review? I’m sure I’ll figure something out…

Welcome to the conclusion of this three-part review, in which I have taken a journey spanning nearly 60 years, to look at three different movies based on the same story. I began with Jimmy Stewart’s The Shop Around the Corner, followed by the Judy Garland musical In the Good Old Summertime. Now, we have reached the end of our journey, with You’ve Got Mail, starring Tom Hanks and Meg Ryan, only this time they aren’t co-workers; they are business rivals.

Joe Fox (Tom Hanks) tells Kathleen Kelly (Meg Ryan) what he thinks of her "inconsequential" book store

Tom Hanks plays Joe Fox, heir apparent to the monolithic Fox & Sons Books store chain. Meg Ryan is Kathleen Kelly, owner/proprietor of a children’s book store called The Shop Around the Corner (a nod to the original movie). Kathleen’s book store was started up by her mother, and it was a fixture in Manhattan for 42 years. When Fox Books moves in to open a store (literally) just around the corner, she is initially confident that her little store will continue (though we can all tell she is in denial). One day, a gentleman with two small children enter her store (the kids wanted to see the Storybook Lady) and he strikes up a conversation with Kathleen, introducing himself simply as “Joe”. Later, at a party, they bump into each either again, only this time she finds out second-hand that “Joe” is really Joe Fox of Fox Books. Let the battle begin!

Now, the funny thing is that both Joe Fox and Kathleen Kelly have significants other (Parker Posey and Greg Kinnear, respectively) whose behaviors and habits are infuriating: Joe tells his friend Kevin (Dave Chapelle) that Patricia (Posey) “makes coffee nervous”, while Kathleen thinks Frank’s (Kinnear) fascination with typewriters borders on obsession. But, they both also have been secretly exchanging e-mails with someone they met online, and they both find themselves becoming more and more fascinated with their respective anonymous friend. But there is a catch: Joe and Kathleen’s online friends are each other.

You’ve Got Mail is the second movie starring Hanks and Ryan that was directed by Nora Ephron (and their third, overall). On the up side, Hanks and Ryan work well together. Even at the peak of their conflict, you can still see the two characters ending up together. Meanwhile, the themes of large corporations squeezing out local businesses and of meeting someone online were very real concepts in the late 1990s. I used to live in a town which had numerous busy shops downtown, selling everything from CDs and TVs, to rugs and vacuums. When a “big-box” store (I won’t say which) decided to move into a new (and much larger) location in town, many of the stores downtown (and even in the local mall) were forced to close their doors because they couldn’t compete with the low prices the “big-box” store had. Meanwhile the Internet was still somewhat a novelty during this time, and chat rooms, bulletin boards, and discussion forums were popping up everywhere. Suddenly, a man in Columbus, Georgia, could strike up a conversation with a woman in Hilo, Hawaii, without the expense of travel or long-distance phone calls. At the time You’ve Got Mail was released, these were contemporary concepts.

But times change. Today, with the economic slide of the past few years, small business has been making a comeback, and large companies have been pink-slipping their collective workforce. Meanwhile, the Internet has changed, too. America Online (from whom the title of this movie was inspired) is no longer an Internet service provider; it is now an Internet portal, free to everyone. And there are other avenues available today. With text messaging, instant messaging, Internet access on phones and other portable devices, and dating sites like eHarmony and Match.com, it is now unlikely you will “meet” someone online without ever knowing what they look like until you meet them face-to-face.

You’ve Got Mail feels like The Shop Around the Corner meets Sleepless in Seattle. This isn’t necessarily bad, but it does share several elements with the Sleepless formula. It stars Hanks and Ryan, it’s directed (and co-written) by Ephron, and it’s about people fascinated with someone they’ve never met. And in both movies, Meg Ryan’s character has a boyfriend with whom she breaks up amicably (Here, Kinnear assumes the reins of Bill Pullman’s role from Sleepless).

Now, it’s time to give you a really great piece of trivia: All three of the movies in this series of reviews has a connection to The Wizard of Oz. The store owner in The Shop Around the Corner was played by Frank Morgan (The Wonderful Wizard himself), In the Good Old Summertime starred Judy Garland (duh!), and the final scene of You’ve Got Mail featured the song “Over the Rainbow”. Ah, the things you pick up while working on this ongoing project…

I saw this movie while on a date in early 1999, during its initial release. While it played a small part in what would develop into one of the better relationships I have forged in my life, I look back on it today with a fresh pair of eyes, and some of the luster seems to have worn off to me. Don’t misunderstand me. I still feel it is an entertaining movie, but just over a decade later, it already feels a bit dated. The charm of Hanks and Ryan does manage to rise above that, but I would prefer either Sleepless in Seattle or the original (The Shop Around the Corner) instead.

IN THE GOOD OLD SUMMERTIME (1949)

In Classic, Comedy, I, Motion Pictures, Musical, Romance on May 16, 2010 at 9:15 am

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STUDIO – MGM

CAST – Judy Garland, Van Johnson, S.Z. Sakall, Spring Byington, Buster Keaton, Marcia Van Dyke, Clinton Sundberg, Lillian Bronson

DIRECTOR – Robert Z. Leonard

NOT RATED (MPAA Equivalent: G)

When I recently opened my rented copy of The Shop Around the Corner, I popped it into my DVD player and discovered that You’ve Got Mail was the second remake of that movie. The first was redone as a musical set at turn of the 20th Century, and that it starred Judy Garland. So, I made a quick trip into my Netflix Queue and ordered In the Good Old Summertime and put it straight to the top of my list. Now, before I proceed any further, let me state that, with the notable exception of The Wizard of Oz and the occasional Andy Hardy serial, I had not seen any motion pictures starring Judy Garland until this point. Nothing against her; she just isn’t my cup of tea. Still, I pressed forward, bowl of popcorn in hand, and watched…

And I dare say I enjoyed this movie. In the Good Old Summertime is the same basic premise of The Shop Around the Corner, only instead of a contemporary department store in Budapest, it’s set in a music store in Chicago. Also, the names have been changed to protect the innocent. The head clerk of the store is Andrew Larkin (Van Johnson), the boss is Otto Oberkugen (S.Z. Sakall), and the romantic interest/fly in the ointment is named Veronica Fisher (Garland). Replace the musical cigarette boxes with 100 table harps, throw in some slapstick, courtesy of Buster Keaton, and some old-tyme songs, and you have yet another Technicolor musical churned out by the factory known as Metro-Goldwyn-Mayer.

Veronica (Judy Garland) offers to "help" Albert (Van Johnson) deomonstrate a song for a customer

The basic story is the same, in some cases nearly word-for-word, but the pacing is actually better than the original. Van Johnson tries not to impersonate Jimmy Stewart, but in some scenes it’s easy to spot that “aw-shucks” quality for which Stewart was famous. Judy Garland proves that even marriage and a child haven’t rusted her pipes. In one scene, a frustrated Veronica is asked to demonstrate a Christmas song; she does so, but only going through the motions in the process. Even in that moment, it’s hard to dismiss her vocal talent.

Speaking of talent, I made discovery with this movie: Marcia Van Dyke. She is an accomplished singer and musician in her own right, and here she shows off one of those talents. Her character, Louise Parkson, lives in the same boarding house as Andrew, and she is a violinist, a damn good one. Several scenes showcase her talent, culminating in an audition for a scholarship in Leipzig, Germany (home of one of the most prestigious orchestras in the world). Van Dyke isn’t much of an actress, but where she lacks in that department, she more than makes up for it with a violin in her hand. And she was very easy on the eyes, too.

One of the things that I noticed in this movie is that many of the musical numbers, especially in the first half, were in 3/4 time (waltz tempo). Now, I’m a sucker for the waltz, but I think even Johann Strauss himself might have cried out “Okay! Okay! Enough with the waltzes! Let’s move on, shall we?” But overall, the music fit in well with the plot, with one minor exception. Okay, maybe not so minor. The bulk of the movie is set in the fall and winter, but MGM needed an excuse to use the song “In the Good Old Summer Time”, which was still a fairly popular tune nearly 50 years after its initial release. So, they bookended it with two brief scenes set in a park during the summer. I’m not sure how, but they managed to pull it off.  Oh, there is one more thing: At the very end of the movie, Veronica and Albert are strolling through the park with a little girl; that brief scene marks the (unofficial) motion picture debut of Judy Garland’s daughter, Liza Minelli.

The DVD comes with a pair of travelogue shorts about Chicago, one for day, one for night. Both are remarkable time capsules to a time that is now all but forgotten. The daytime tour features many fixtures of the skyline, including the Tribune Tower, the Wrigley Building, and the Drake Hotel, along with a parting shot of Buckingham Fountain. The nighttime featurette highlights some of the entertainment and night life aspects of the city, including a music hall frequented by the mayor, Martin H. Kennelly, as well as a dancing horse(!).

In the Good Old Summertime is a surprisingly fun movie to watch. MGM can be considered one of the few manufacturing corporations whose work was considered art, and this musical fits nicely into that fold. Remarkably, I found it at least as charming as The Shop Around the Corner. Up next, the conclusion of my three-part review. Stay tuned…

3-1/2 (out of 5)

THE ITALIAN JOB (2003)

In Action, Crime, I, Motion Pictures on February 5, 2010 at 12:56 am

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STUDIO — Paramount

CAST — Mark Wahlberg, Charlize Theron, Mos Def, Edward Norton, Jason Statham, Seth Green, Donald Sutherland

DIRECTOR —  F. Gary Gray

MPAA Rating: PG-13

Before watching this movie, I watched the original movie from 1969, starring Michael Caine. This is an exercise I like to do to draw comparison between the original and the update in terms of quality, performance, and homage. This is something I will do often, so don’t be surprised if you see back-to-back reviews of originals and remakes like this in the future. Anyway, let’s get on with the show.

Mark Wahlberg stars as Charlie Croker, a professional thief who, in the beginning of this movie, pulls off a successful heist of over $35 million in gold buillion in Venice. But the bulk of the movie’s story takes place a year later in Los Angeles. So, unlike the original movie, The Italian Job is not centered around the gang trying to steal the gold. But it is about how one member, Steve (Edward Norton) betrayed them by taking the haul for himself, and how the others make plans to take it back from him. So, essentially, this movie isn’t about the robbery; it’s about the gold itself.

The newly-modified Minis on a test drive

So, what does this movie have in common with the original? Well, Charlie is still here, and so is Mr. (John) Britcher (Donald Sutherland). Seth Green takes over the comic relief reins as the computer whiz, only this time he obsesses about a former college roommate who stole his idea (Napster). And of course, the Minis. You can’t have this movie without Minis.

This movie was entertaining from start to finish. Wahlberg leads the ensemble cast with a casual energy, and his chemistry with the others (Green, Charlize Theron, Jason Statham, and Mos Def) is very apparent. The script was a cut above that of your average action movie, and F. Gary Gray’s direction put a fresh twist on the genre.

I guess it goes without saying that I liked this movie. I will say this: having a bus hang precariously off a ledge along Mulholland Drive probably would not have worked as an ending.

The Italian Job is a well-paced, fun action film with (mostly) likable characters (Edward Norton’s Steve is a slimeball, and he plays his character with aplomb). This is one movie I may actually consider buying.

4 out of 5