REVIEWS OF RENTED DVDs I GET IN THE MAIL

Posts Tagged ‘mafia’

GOODFELLAS (1990)

In Action, Biography, Crime, Drama, G, Motion Pictures on April 9, 2010 at 1:49 pm

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STUDIO — Warner Bros.   

CAST — Ray Liotta, Robert De Niro, Joe Pesci, Paul Sorvino, Lorraine Bracco  

DIRECTOR —  Martin Scorsese  

MPAA Rating: R   

There is so much I can say about this movie, except that it has most likely already been said before. Goodfellas is, of course, on my short list of favorite motion pictures and, as I did with Patton, I will recount my experience by checking out the two-disk Special Edition of this movie.  

When I received Disk One, I literally watched this movie three times. First, I had to watch the movie itself, which is something of which I will never tire. The kinetic energy throughout this masterpiece grabs you by the throat and doesn’t let go until long after you’ve seen it (but more on that in a minute). Sure, there are some anachronistic gaffs here and there (A teenaged Henry Hill selling Black Market cigarettes with UPC barcodes on the cartons — in 1959!), but every performance, every characterization, gave me a sense of what life must have been like in the Mafia during its heyday. The whole first half of the movie shows the glamour, the connections, the camaraderie, and the partying, while the second half follows a steady descent into Hell, with drug addiction, greed, murder, and paranoia.  

Goodfellas recounts the story of Henry Hill (Ray Liotta), a half-Italian/half-Irish gangster associated with the infamous Lucchese crime family, and how he met up and partnered with two other mobsters, portrayed here as Jimmy “The Gent” Conway (Robert De Niro) and Tommy DeVito (Academy Award winner Joe Pesci). As you may have guessed by my last statement, some of the names were changed for the purposes of making this movie. Does this diminish the quality of this movie? Not in the least. Anyway, all three performances were mesmerizing, especially Pesci’s. His performance as Tommy was cemented in the now-infamous “You’re a funny guy” scene, and it sustained all way through.  

Tommy DeVito (Joe Pesci) and Henry Hill (Ray Liotta) enjoy a night on the town

 Also of note (especially for you fans of  “The Sopranos”) is Lorraine Bracco as Henry’s wife, Karen, and a brief appearance by Michael Imperioli in one of his first film roles, as Spider. Another face to watch for is Samual L. Jackson in one of his quieter roles, as Stacks Edwards. Look for a few famous faces as well, including Jerry Vale, Robbie Vinton (as his father, Bobby), and comedian Henny Youngman, in one of his final film appearances.  

Okay, by now, I’m sure you’re asking “Why the subsequent screenings?” Well, there are two commentary tracks, “Crook and Cop” and “Cast and Crew”. In the “Crook and Cop” commentary, Henry Hill and U.S. District Attorney Ed McDonald (who placed Henry and his family into the Witness Protection Program — and plays himself in the movie) give their insight to the events portrayed in the film from both of their unique perspectives. Hill would fill in some gaps in the story or explain why or how something happened, while McDonald talked about how difficult it really was to pin convictions on some of these wiseguys, problems with surveillance, and how the FBI employed what became known as the “Al Capone strategy” for getting a conviction: If you can’t get them for murder, get them for something else.  

The “Cast and Crew” commentary doesn’t cover the entire length of the movie; whole sections of the movie are skipped during the “silent” parts. But, Scorsese, producer Irwin Winkler, co-writer Nicholas Pileggi, cinematographer Michael Ballhaus, and cast members Liotta, Pesci, De Niro, Bracco, and Paul Sorvino, among others, all talk about their own perspectives on the making of this movie. Did you know that Ray Liotta and Henry Hill met up for a drink after the film’s release, and each was star-struck to meet the other face-to-face? Did you know that, as written, Goodfellas has no climax? And remember when I said this movie doesn’t let go? Well, did you know that Paul Sorvino, who had struggled for months to find his character, initially hated the completed film? It took a few hours afterward before he realized how great it really was.  

The second disk has a few documentaries, including a short with Henry Hill, called “The Workaday Gangster”. In it, he tells us, the audience, that the essence of what we see in Goodfellas is “99% accurate” from his perspective. Another features several directors influenced by Scorsese and/or Goodfellas, including Frank Darabont (The Shawshank Redemption), Antoine Fuqua (Training Day), and others. As a special treat, there’s even a four-minute snippet called “Paper Is Cheaper Than Film”, which literally illustrates how Martin Scorsese visualized some of the shots by writing notes and thumbnail sketches on the shooting script. 

Many people have argued for years which of Scorsese’s movies is his best. Some say it’s Raging Bull. Others would say Taxi Driver. Another camp might even cry out, “Well, The Departed won Best Picture”. Then there’s the Casino crowd. Exciting, visceral, unflinching, and unrelenting, Goodfellas is not only a classic gangster movie, it is a film for the ages. And to me, this is the epitome of Martin Scorsese’s filmmaking career. 

THE ITALIAN JOB (1969)

In Action, Comedy, Crime, I, Motion Pictures on February 2, 2010 at 11:53 pm

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STUDIO — Oakhurst Productions/Paramount

CAST — Michael Caine, Noel Coward, Benny Hill

DIRECTOR —  Peter Collinson

MPAA Rating: G

For years, I had heard about the now-famous cliffhanger ending in 1969’s The Italian Job, and I wondered why would the makers of this movie allow it to end this way. Now that I have seen the movie, I must say that it works. Normally, I’d consider this a spolier, but in this case, the movie is about the journey, not the destination. At the end of the movie, the bus carrying the crooks and the gold skids out of control and hangs precariously over the edge of a cliff, the crooks at one end, the gold at the other (It’s pretty easy to guess which is at which end). Then Charlie Croker (Michael Caine) says he has an idea, and… roll credits!

Frankly, it is gags like this that make this movie so irreverently 60s, so amusing, so… British. On top of Caine’s ex-con with a shot at the big time, there is Noel Coward’s incarcerated flambouyant ringleader with a just-this-side-of-creepy fascination of Queen Elizabeth II, Maggie Blye as Croker’s girlfriend, who arranges a welcome home “party” with several ladies for him (only to go into a fit of rage when he tries to bed three more girls on his own), and Benny Hill’s nutty professor with a perverse predaliction toward women who are, shall we say, plus-sized.

The Mini Coopers make their escape from Turin

Yes, this is a Rated-G movie. By today’s standards, it would likely be a PG, but it sill makes for a fun-to-watch caper movie. I, for one, find it suitable for nearly all audiences. But if you like classic exotic automobiles, you’d better prepare to weep. Fiats, Lamborghinis, Jaguars and (of course) Mini Coopers get literally tossed over cliffs throughout the film.

And who could forget those Mini Coopers? The chase scene of the three Minis escaping from the overly-congested streets of Turin, Italy, is one of the most unique ever filmed. Some indoor sequences of the chase undoubtedly were an inspiration for the infamous mall chase in The Blues Brothers 11 years later. Watching these three cars jump over roofs, crawl up the sides of sewers, and plow though a river was purely entertaining.

I would not consider The Italian Job a classic. But it is fun, energetic, and very British. If you like wry comedy, this would fit in just nicely.

3-1/2 out of 5