CAST – Mark Wahlberg, Susan Sarandon, Stanley Tucci, Michael Imperioli, Rachel Weisz, Saiorse Ronan, Rose McIver, Carolyn Dando
DIRECTOR – Peter Jackson
MPAA Rating: PG-13
Peter Jackson seems to be a popular guy on my blog lately!
I don’t mean this intentionally, yet in four short months, this is the fourth movie for which I have done a write-up with his name on it. Of the first three, he directed two of them (Heavenly Creatures, Dead-Alive), and the third (District 9) he produced. This time around, we take another imaginative step into the past to uncover a murder mystery in The Lovely Bones.
Susie Salmon (Saoirse Ronan) is a 14-year-old girl in Norristown, Pennsylvania. She’s the oldest of three children, she wants to be a photographer, and she has a crush on a boy who’d just arrived from England. In other words, she is a normal adolescent in a quiet suburban community. But one day, on her way home time from school, she encounters George Harvey (Best Supporting Actor nominee Stanley Tucci), a doll house builder who lives down the street from the Salmons. She is neither seen nor heard from again.
Peter Jackson’s eye for camera angles and visual effects makes for a visually striking movie, but I could not help noticing some similarities with his past work. What stood out for me was the metaphoric shifts between the real world, where Susie’s parents (Mark Wahlberg, Rachel Weisz) contend with the loss of their daughter, and the “purgatory” in which Susie resides were strongly reminiscent of Heavenly Creatures. Also, some of the “blink-and-you-miss-it” shots of Susie’s realm look strangely like locations from the Lord of the Rings Trilogy (I guess it stands to reason, since Jackson filmed these scenes in his native New Zealand). Now, I’m not disparaging New Zealand at all. From what I understand, it is a lush, green country with some of the world’s most beautiful scenery. My concern is that the Kawarau Gorge may become to Peter Jackson movies what Vasquez Rocks is to Star Trek.
There are some good performances in this movie, and some not-so-good. Tucci was particularly creepy as the killer, and Miss Ronan did well, too. But, as much as I like Wahlberg and Weisz, I could not get past the notion that they simply turned on their respective “grieving parent” switches for this one. And Susan Sarandon, another otherwise talented actress, was quite forgettable as the “helpful grandmother”, who just happens to have a whiskey glass and a cigarette in her hands every chance she gets. I’m sorry, but even her portrayal of Janet in Rocky Horror was better than this! To me, the best (and most understated) performance in this movie goes to newcomer Carolyn Dando, as the mysterious Ruth Connors, who seems to have the unique ability to “touch” Susie’s lost soul. It’s a fairly small role, but a meaty one, and Dando handled it well. Keep an eye on her; I think she may be going places.
As for the script (co-written by Jackson and his wife/writing partner Fran Walsh), it seemed somewhat incomplete to me. It’s almost as if to say there is more to the story, and as an adaptation from a novel, this is usually the case. But still, I feel as if the clairvoyance angle of the story could have been better explained (at least, from the family’s point of view). Jackson’s employment of various symbolisms (nearly all of which are explained throughout the course of the movie) works for the most part, except for the icicles. I had a hard time wrapping my brain around that one; as a result, the ending left a somewhat bad taste in my mouth.
The Lovely Bones is visually beautiful to watch, but it is far from a classic. To me, it plays out like a fictionalized version of Heavenly Creatures, only replace “repressed daughter” with “creepy single guy” and “mother” with “innocent teenager”, and place the murder at the beginning of the movie rather than at the end. I know Pater Jackson is a better filmmaker than this. I just hope his next project offers some redemption before he turns into New Zealand’s version of M. Night Shyamalan.