REVIEWS OF RENTED DVDs I GET IN THE MAIL

Posts Tagged ‘2001’

IN THE BEDROOM (2001)

In Crime, Drama, I, Independent, Motion Pictures on April 5, 2010 at 9:04 am

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STUDIO — Miramax

CAST — Sissy Spacek, Tom Wilkinson, Marisa Tomei, William Mapother, Nick Stahl

DIRECTOR —  Todd Field 

MPAA Rating: R

Once in a while, a movie comes along and makes you ask yourself how you would change if the unthinkable happened to you. In the Bedroom is one those movies.

Set in coastal Maine, this movie takes its title from a lobster trapping term (which is explained early on). A typical lobster trap consists of two parts, the entrance and the parlor (or “bedroom”). The entrance has a funnel, into which a lobster crawls inside. Next, it enters another funnel leading to the bait inside the parlor. If a trap is left unattended for too long, the parlor might become overcrowded, which may lead to the trapped lobsters fighting among themselves. Therefore, it is best to avoid having more than two lobsters “in the bedroom”. Interesting, the things you can learn in movies, huh?

Anyway, the story is about a middle-aged couple, Matt and Ruth Fowler (Tom Wilkinson and Sissy Spacek); he is a physician, and she is a music teacher. They have a son, Frank (Nick Stahl), who wants to become an architect, but he is also considering staying in town at least one more year to work on a lobster boat so that he can stay with his girlfriend, Natalie (Marisa Tomei). It all seems nice and normal, except for one minor detail: Natalie has two children, is nearly twice Frank’s age, and is separated from her abusive husband, Richard (William Mapother).

Okay, kids and age difference aside, Frank and Natalie’s relationship is a perfectly normal one. But Richard, in a fit of jealousy, confronts Frank in Natalie’s kitchen and… Well, let’s say for sake of argument a gun discharges, resulting in Frank being being shot in the face at point-blank range. We, the viewers, are not witness to the shooting, but we do know that Richard had the gun and Frank is killed.

The Fowlers (Sissy Spacek, Tom Wilkinson) in the days after their son's death

But the real story begins with how the Fowlers deal with the sudden, untimely death of their son. Matt experiences internal struggles, to the point that he seems to lose confidence in himself; he also seems to be drinking more than usual. As for Ruth, she appears to be cool and detached, when in fact she seems ready to explode with rage at any moment. These conflicting personalities simmer throughout the rest of the movie, as the Fowlers fight desperately to continue leading normal lives. But left unattended, a simmer gradually builds to a boiling point, and Matt and Ruth eventually learn things about themselves and each other that they had never known before, and they are not pretty.

Speaking from the perspective of someone whose parents have buried a child, I can tell you firsthand that this sort of tragedy is at best traumatic. Without going into detail, I had a brother whose life ended far too early, and my parents were both profoundly affected by it. I was quite young myself, but I recall my mother doing lots of artsy-craftsy things like needlepoint and painting as (I believe) a form of therapy, while my father took nearly all traces of my late brother’s existence and buried it inside a desk drawer, never to openly speak of it again.

This movie brought back some of those memories for me, and I really felt empathy for Matt and Ruth. As for Natalie, she turned into a sort of lost soul. After the shooting, she found herself with a dead boyfriend, and the father of her children accused of the crime. So, I ask you, the reader, the following question: What would you do if you were thrust into a situation like this? Even if you think you know the answer, you really don’t. And In the Bedroom makes you realize this in an introspective way. I have read that this movie is a modern-day tragedy, and I agree with that assessment. It almost plays out as a story written by Shakespeare if he were alive today. High praise, indeed.

3-1/2 out of 5

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SAVING SILVERMAN (2001)

In Comedy, Crime, Motion Pictures, Romance, S on March 20, 2010 at 11:00 pm

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STUDIO — Columbia

CAST — Jason Biggs, Jack Black, Steve Zahn, Amanda Peet, R. Lee Ermey, Neil Diamond

DIRECTOR —  Dennis Dugan

MPAA Rating: PG-13
(Uncut version Rated R)

Have you noticed lately how some sports venues have taken to playing Neil Diamond’s “Sweet Caroline” late in the game as a means of rallying the fans? I know, it sounds really strange, but I think this movie has a lot to do with it.

In  Saving Silverman, three friends, Wayne (Steve Zahn), J.D. (Jack Black), and Darren (Jason Biggs), make up a street-performing Neil Diamond tribute band called Diamonds in the Rough. All three are big fans; Wayne even claims his mother went into labor with him during a Neil Diamond concert! After one of their performances, they go to a local watering hole, where Wayne spots a beautiful woman (Amanda Peet) and talks Darren into chatting her up. Right away, she asserts herself onto Darren, and right away, Wayne and J.D. realize she’s a threat to their friendship.

Wayne (Steve Zahn, right) and J.D. (Jack Black) attempt to persuade Judith (Amanda Peet) to break up with their friend, Darren Silverman

In case you haven’t figured it out by now, Darren is the Silverman in the title of this movie, a sometimes too-broad comedy that reaches too far into the depths of low-brow to deliver its gags. Much of the comedy in this movie was formulaic, telegraphed as much as a minute ahead of the payoff. Don’t get me wrong, here. I liked Jason Biggs in the American Pie movies, and in this movie, he continues his bumbling charm with appeal. And I also like Steve Zahn; his break-out role in That Thing You Do! is among the most memorable in that movie. As for Jack Black, I confess I am not as familiar with his work, but I do know he does have the ability to charm underneath that oafish appearance of his.

So what happened here? In my opinion, too much happened here. Judith is a psychiatrist who has absolutely no problem showing off her cleavage (and, based on what I can tell about the character, her readiness to assault the first man who notices it). Amanda Detmer plays Sandy, Darren’s “one and only”, who had recently left the circus after a tragic trapeze accident in order to… become a nun(?). Then there’s R. Lee Ermey. That’s right, ol’ Gunny himself makes an appearance as a high school football coach who was imprisoned for manslaughter after he accidentally skewered a referee with the down marker during a game. Finally, we have Neil Diamond himself, who inexplicably agrees to help our heroes in the third act, despite the fact that he had a restraining order against them. Tell me, does any of this make sense to you?

Okay, it is, after all, a movie. But the plot is supposed to have some logic to it, right? Only Darren turns appears to have any depth of character to him. Wayne and J.D. are little more than baffoons, Judith acts like an overcaffeinated queen bee, and Sandy was way too bubbly to be a convincing nun in training. Of all the supporting characters, only Coach was engaging enough to be funny. From all appearances, R. Lee seemed to relish the opportunity to commit a bit of self-parody by using his famous “gung-ho” attitude to great comedic effect. It’s too bad the rest of the cast did not follow suit.

Saving Silverman tries to be funny, and it tries to be sincere. Unfortunately, it came up short in both departments.