CAST – Jeff Bridges, Maggie Gyllenhaal, Colin Farrell, Robert Duvall, Jack Nation
DIRECTOR – Scott Cooper
MPAA Rating: R
In the days before this year’s Academy Awards ceremony, I was watching TV at my mother’s house, when the trailer for Crazy Heart came on. After seeing the trailer only once, I said “I have got to see this movie!” I immediately put it into my Queue, and when Jeff Bridges took home the Best Actor Award a few weeks later, I moved it up. Now that I have seen this movie, I can say it is worth the wait.
Jeff Bridges stars as Bad Blake, a once-famous country music star who, because of years of hard living (and hard drinking), has been relegated to playing bars and bowling alleys to make a living. Traveling by himself cross-country, just him, his guitars, and his ’78 Chevy Suburban, a day in Bad’s life constitutes wandering into town, meeting the pick-up band of the night, checking into a motel, procuring his nightly bottle of McClure’s, doing the show (with the occasional emergency trip off-stage to throw up), then finishing off the bottle, quietly leaving the groupie of the night asleep at the motel the next morning. Not exactly what you would call a glamorous life.
While in Santa Fe, New Mexico, Bad meets Jean Craddock (Maggie Gyllenhaal), a single mother and reporter from the local newspaper (and niece of the keyboard player in the local band). At first, their relationship is professional (she’s there to interview him), but they quickly form an unlikely bond. Soon, his agent has him diverted to Phoenix, where he is slated to open for Tommy Sweet (Colin Farrell), Bad’s one-time protégé, who is now a major recording star in his own right. Bad resists at first, but the prospect of performing in front of thousands of people again (and getting decent pay doing it) appeals to him, so he agrees. Later, on his way home to Houston, he makes plans to stop over at Jean’s for a few days.
To venture any further into the story would mean spoilers, but I will say that Crazy Heart is a movie about living a hard life and paying dues. I think many of us can relate to that in one way or another; I can say that I’ve been paying my dues for some time. Anyway, Bad likes doing what he does, but sometimes he doesn’t like where he does it (As stated earlier, his first performance in the movie is at a bowling alley), but he keeps plugging away, hoping his next gig is better than his last.
His relationship with Tommy seems to have some drama involved, but I don’t think it had to do with Tommy himself. From the looks of things, the rift between them was actually caused by the record label, but when your blood is 80-Proof, your judgment get clouded and you don’t see the outside influence; you only see what’s in front of you. In Phoenix, Bad and Tommy talk about the old times, and that night’s show went off pretty much without a hitch, so it’s obvious these two really still like each other. But Bad is set in his ways, much to the chagrin of those around him.
I’ve always liked Jeff Bridges. He has an easygoing way about him that makes him look so natural on the screen. Here, his performance is very solid, and his portrayal of Bad (who says his given name will be on his tombstone) is among the best of any movies I’ve seen in the last five years. Those of you who are familiar with country music from the 1970s will recognize the name Kris Kristosfferson, himself a one-time hard-drinking former star who later got a second chance. Bridges channels Kristofferson so well that in some of the performance scenes, he nearly looks like him. By the way, both Jeff Bridges and Colin Farrell did their own singing, and from the looks of it, all the performances were recorded live on location (either that, or the sound editors were vastly underpaid for their services).
Though this may be considered a romance film, I put this in that rare field of “romance films for men”. It’s a movie told from a man’s perspective, it’s not a “five-tissue” movie (though it is still powerfully emotional), and it doesn’t have a typical romantic ending. In fact, I think the ending is about as realistic as can be, given the circumstances surrounding a key incident between Bad and Jean regarding her son, Buddy (Jack Nation). There is also an influence from the movie Tender Mercies, thanks to co-star and producer Robert Duvall (who won his Oscar in that movie). The songs are all very good, too. One of them, “The Weary Kind”, written by T-Bone Burnett and Ryan Bingham, resulted in this movie’s second Oscar. On a side note, it isn’t often that a character and a real person who share the same name are mentioned at the same Academy Awards ceremony (Goerge Clooney’s character in Up in the Air was also named Ryan Bingham).
Crazy Heart isn’t for everyone, but this is one of the better films of 2009 that I have seen so far. Anyone who has an appreciation for country and/or blues should see it. I may not be a country fan, but I do like the blues, and this movie is definitely about having the blues!